Guthrie as Whitmanesque:
Woody Guthrie was born in Okemah, Oklahoma in 1912. He was an influential folk musician and poet noted for his political lyricism and honest representation of the American people in the Dust Bowl days of the Great Depression. He was a poet of the people and his words illustrated the character of the American everyman, the average migrant worker and the poor wandering traveler. Guthrie died in 1967 due to complications from Huntington’s disease, which he inherited from his mother.
To Guthrie and Whitman art and politics were inextricably interrelated. Whitman’s theory of democracy was mainly based on organic rights, simplicity, independence, homespun manners and a general contempt for wealth. Similar themes can be observed across Guthrie’s body of work as well.
Questions to consider:
Is there a distinct relationship between art and politics?
How do Whitman and Guthrie convey this relationship and what role do you think they believe the artist has in politics?
How do they each address/promote the idea of equality amongst American people?
How does Guthrie's approach to the turmoil of his time, and his attitude toward working-class people, compare to Whitman's?
As a medium for inspiration and organization, how does music compare to poetry?
How strong is the legacy of such artists today?
Are we or can we be a more equal and unified country thanks to their work?
Consider the quote below from Whitman’s Song for Occupations:
“Why what have you thought of yourself?
Is it you then that thought yourself less?
Is it that you thought the President greater than you?
or the rich better off than you?
or the educated wiser than you?
Because you are greasy or pimpled—or that you was once drunk, or a thief, or diseased, or rheumatic, or a prostitute—or are so now—or from frivolity or impotence—or that you are no scholar, and never saw your name in print . . . do you give in that you are any less immortal?"
Take a look at Whitman’s Song of the Open Road. Lines 15 through 73 from the poem are shown below but the whole piece is worth reading:
You road I enter upon and look around, I believe you are not all that is here,
I believe that much unseen is also here.
Here the profound lesson of reception, nor preference nor denial,
The black with his woolly head, the felon, the diseas’d, the illiterate person, are not denied;
The birth, the hasting after the physician, the beggar’s tramp, the drunkard’s stagger, the laughing party of mechanics,
The escaped youth, the rich person’s carriage, the fop, the eloping couple,
The early market-man, the hearse, the moving of furniture into the town, the return back from the town,
They pass, I also pass, any thing passes, none can be interdicted,
None but are accepted, none but shall be dear to me.
You air that serves me with breath to speak!
You objects that call from diffusion my meanings and give them shape!
You light that wraps me and all things in delicate equable showers!
You paths worn in the irregular hollows by the roadsides!
I believe you are latent with unseen existences, you are so dear to me.
You flagg’d walks of the cities! you strong curbs at the edges!
You ferries! you planks and posts of wharves! you timber-lined sides! you distant ships!
You rows of houses! you window-pierc’d façades! you roofs!
You porches and entrances! you copings and iron guards!
You windows whose transparent shells might expose so much!
You doors and ascending steps! you arches!
You gray stones of interminable pavements! you trodden crossings!
From all that has touch’d you I believe you have imparted to yourselves, and now would impart the same secretly to me,
From the living and the dead you have peopled your impassive surfaces, and the spirits thereof would be evident and amicable with me.
The earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is not wanted,
The cheerful voice of the public road, the gay fresh sentiment of the road.
O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied, adhere to me?
O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.
I think heroic deeds were all conceiv’d in the open air, and all free poems also,
I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever beholds me shall like me,
I think whoever I see must be happy.
Take a look at Guthire’s song Pastures of Plenty:
It's a mighty hard row that my poor hands have hoed My poor feet have traveled a hot dusty road Out of your Dust Bowl and Westward we rolled And your deserts were hot and your mountains were cold
I worked in your orchards of peaches and prunes I slept on the ground in the light of the moon On the edge of the city you'll see us and then We come with the dust and we go with the wind
California, Arizona, I harvest your crops Well its North up to Oregon to gather your hops Dig the beets from your ground, cut the grapes from your vine To set on your table your light sparkling wine
Green pastures of plenty from dry desert ground From the Grand Coulee Dam where the waters run down Every state in the Union us migrants have been We'll work in this fight and we'll fight till we win
It's always we rambled, that river and I All along your green valley, I will work till I die My land I'll defend with my life if it be Cause my pastures of plenty must always be free.
Consider Guthrie’s most famous song This Land is Your Land:
This land is your land This land is my land From California to the New York island; From the red wood forest to the Gulf Stream waters This land was made for you and Me.
As I was walking that ribbon of highway, I saw above me that endless skyway: I saw below me that golden valley: This land was made for you and me.
I've roamed and rambled and I followed my footsteps To the sparkling sands of her diamond deserts; And all around me a voice was sounding: This land was made for you and me.
When the sun came shining, and I was strolling, And the wheat fields waving and the dust clouds rolling, As the fog was lifting a voice was chanting: This land was made for you and me.
As I went walking I saw a sign there And on the sign it said "No Trespassing." But on the other side it didn't say nothing, That side was made for you and me.
In the shadow of the steeple I saw my people, By the relief office I seen my people; As they stood there hungry, I stood there asking Is this land made for you and me?
Nobody living can ever stop me, As I go walking that freedom highway; Nobody living can ever make me turn back This land was made for you and me.